I recently watched the 1987 version of
Northanger Abbey (also known as the 1986 version). It is the one included in the BBC's "Jane Austen Collection." It is a funky little production. And it is not well tolerated.
It was hard for me to find information about the adaptation through IMDB because, silly me, I was searching for "Northanger Abbey." This adaptation can be found instead when you search for a BBC Television Series called
Screen Two which apparently ran for 10 seasons, with a dozen or so programs run in each season.
Screen Two includes a strange hodgepodge of adaptations and original plays and other works.
I have not seen anything else from that TV series, but I do notice, while thumbing through the list of programs aired by
Screen Two, that many have quirky or gritty sounding titles such as: "Streetlife," "Return to Blood River," "Black Easter," "Hedgehog Wedding," and the like.
Northanger Abbey's inclusion in this series provides an interesting clue into the oddness of the adaptation. I would bet that
Screen Two had a late time slot and an off-beat audience with programming that focused on darker and maybe slightly erotic themes. I wouldn't be surprised if someone on the production team was a fan of Austen and that
Northanger Abbey was picked because, of all Austen's work, it had the most to play with along those darker, Gothic lines.
There is some confusion about the date of this adaptation. Wikipedia states that it came out in 1986 and suggests it was a joint project of the American channel A&E (which was in its infancy then) and of the BBC. The article is sparsely cited, but supported by the fact that at the tail end of the dvd, the credits have a copyright date of 1986. IMDB, on the other hand, states that the version was originally aired on February 15, 1987 (as part of
Screen Two). According to the Jane Austen Center, it may have also been shown on Masterpiece Theater in December of 1987. I'm not sure I'll be able to unravel its exact roots, but there is no doubt in my mind that it was produced by a set of people looking to do something different.
I don't mind reading criticism of the version which is oh so easy to find fault with, but I do think that its right to take into account what the production goals for this piece might have been before skewering it. I admit this is all conjecture, but, I think the production team for this adaptation were trying to produce a campy, almost Rocky Horror Picture Show type production, possibly for an audience who favored generally offbeat shows. (Take one look at the Marchioness if you don't believe me). And they did manage to do that. I wonder what the reception to the show was in the context of
Screen Two at the time it was released.
I wish I could know how it was received then, but there is no question that it is a hard program for most Jane Austen fans to like. One of the most difficult obstacles to overcome is the musical score, which is jarring and which I find almost unbearable. However, that said, I bet the music sounds better if you are stoned, and my guess is that is what this audience probably was. I felt stoned just watching the adaptation. You might have to be to appreciate the overdone 80s makeup on all the girls, but for me that too was nearly unbearable.
I've watched this a couple of times before, but I popped this version into the dvd the other day because, having been so immersed in
Spooks (MI-5) lately and
loving Peter Firth in that, I thought it would be fun to see a younger version of him in this production playing a romantic lead.
His performance as Henry Tilney is very interesting. He is both oddly compelling and slightly repulsive. He is clearly a very capable actor, so I have to believe he is taking this approach on purpose. I think he is trying to match his performance to direction ... a direction to be suggestive and ambiguous but also appealing. I think he manages that quite well. I also think Katherine Schlesinger as Catherine Morland is basically appealing and pulls off the idea of wide-eyed breathlessness overrun by fantasy and caught in the middle of a bigger and more confusing world than she was expecting. I can't stand watching Cassie Stuart's constant and ridiculous grinning and primping as Isabella Thorpe, nor her brother's grossness and violence (played by Jonathan Coy). The lovely actress who plays Elanor Tilney (Ingrid Lacey), is the only one who didn't get the memo and is acting as if she is in a Jane Austen production : ) She seems so out of place in this adaptation where everyone else is camping it up. At least they gave her some insane twisted curls in her hair.
I did enjoy the scenery and locations, including the Royal Crescent in Bath and Bodiam Castle - both of which we saw when in England last year and were greatly impressed with.
All in all I find this production more interesting as a puzzle
- who did this and why?? - than enjoyable as a Jane Austen adaptation.
If you like seeing Peter Firth in his earlier roles, check out
Equus. I saw it recently and was impressed.
"Northanger Abbey: The Version that Everyone Hates" LostinBritishTV
Mr. Knightley - Kind and caring, but also very much in charge, he is the definition of gentleman - putting people around him (both high class and those of low rank) at their ease; defending his tenants and standing up for their lowly girlfriends. He believes in Emma and accepts her on her own terms but isn't blinded by her charm. He wants what is best for her but isn't controlling or overbearing in trying to change her. He is also humble about his claims on her affections. Darcy can't touch this man.
Captain Wentworth - Also a man who seems in control of himself and comfortable with his place in the world around him. A grown up man. Experienced, worldly, passionate intelligent, he worked hard for what he has and holds it dear. He values real depth of character, true love and, as we all know, is constant in his feelings for Anne. He's got a lot of cash, but not the trappings of old wealth; as a result he seems a lot free-er in his life.
Mr. Darcy - Darcy is the quintessential Austen hero for his wealth, grand estate, intelligence, forbearance and gentlemanly-ness. He is introverted and interesting in character, but harder to get to know than some of the others. However, that is rather the point. Because once he is fully and completely in love, he becomes the best of men. Time Magazine described the character, as portrayed by Colin Firth, as: "a man locked away within himself but with great personal standards and morality. It was a performance that made women of all ages swoon."
Henry Tilney - Tilney seems like the kind of guy it would be a lot of fun to hang around. He has a kind of lighthearted charm and warmth. He comes from old wealth, but finds the whole "game" distasteful. He is seeking something true and more meaningful, and he happens to have a great sister. Both are very real, understanding, intelligent, kind, and fun.
Mr. Bennett - A crazy choice, maybe, but I'm going to make a case for Mr. Bennett. No, he is not a good husband to the wife he's got. But, honestly, who could be? In the modern era he would be divorced and probably a lot happier. Yes, he is witty and acerbic, but he is not hateful. He loves where he sees goodness. He can be indulgent & kind and he feels deeply. He's just driven down by way to much "silliness" in his home. Give him some rational company and he's perfectly ready to spend his life being happy. I imagine a very comfortable life with him, just reading, talking, thinking, and hanging out in good comfort at a small country estate making goodhearted fun of the neighbors. Not a bad life at all.
